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Parental tools that are compatible with the RTA label will block access to this site. We use the "Restricted To Adults" (RTA) website label to better enable parental filtering. Protect your children from adult content and block access to this site by using parental controls. PARENTS, PLEASE BE ADVISED: If you are a parent, it is your responsibility to keep any age-restricted content from being displayed to your children or wards. Furthermore, you represent and warrant that you will not allow any minor access to this site or services. This website should only be accessed if you are at least 18 years old or of legal age to view such material in your local jurisdiction, whichever is greater. You can read more of his Bad Buddy analyses on tumblr.You are about to enter a website that contains explicit material (pornography). Tel is a multi-cultural enthusiast of the written word (with a day job in architecture) based in Singapore, where he has an abiding fascination with languages, etymology, science, inter-cultural exchange, international cuisine and people development (when he's not bingeing on Netflix, re-watching Bad Buddy or sweating it out at the gym). And it is this normalisation of LGBTQ+ relationships, in place of yaoi-derived fetishisation, that is its most precious gift to the world. Perhaps the most revolutionary of Bad Buddy's iconoclastic re-workings of the genre is this: set in a world without homophobia, Bad Buddy allows us to see that Pat and Pran's struggles to make their relationship work are really not much different from any other couple's, with similar pressures (parental disapproval, or the strain of long-distance relationships made necessary for career development), aspirations, highs and lows. And like Pat - we just have to let it reveal its subtler truths by getting to know it better, on its own terms, as one little BL revolutionising a whole genre. Like Pran, Bad Buddy doesn't always give up its secrets easily. But not before Pran gets the opportunity to educate him (and the audience), with a little illustrative role-switching, how implied power dynamics can also be read into the terms used, and why it's a stereotype best discarded. For Pat and Pran, the issue is resolved good-naturedly enough when Pat apologises for calling Pran his wife, confessing that he only did it because he thought it reflected their growing closeness. But in a gay relationship where both partners are equal, the gendering of roles is meaningless and the promulgation of unfair power imbalances that plagued (and still plague) heterosexual relationships should have no place there either. As long as patriarchal stereotypes persist, when a male partner feminises the other's role in the relationship there will be implications of subordination as well. The trope carries the message that the "female" of the pair (the uke) is a "little woman" to his "male" seme. When Pran indignantly confronts Pat in one of the later episodes about calling him a housewife, Bad Buddy is also taking the opportunity to rip into the "wifey" trope (note the diminutive suffix) trotted out in countless other BL dramas.